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NEW! Gloss Embrace
Sequin Lip Gloss
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NEW! Rouge Experience
Refillable Lipstick
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Rouge Experience
Refill
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Baume Embrace
Melting Lip Colour
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Sculpt and Shade
Lip Pencil
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Velveteen
Liquid Lip Colour
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True Velvet
Lip Colour
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Luxuriously Lucent
Lip Colour
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Insanely Saturated
Lip Colour
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Gloss Embrace
Lip Gloss
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Enhance and Define
Lip Pencil
You’re currently on our international website. US customers, please shop our US website.
My latest videos
The Look You All Begged Me To Recreate!
When Lipstick Became Power - The Scandalous 1920’s Makeup Revolution
The Dark Truth Behind the ‘Natural Beauty’ Lie of the Victorian Era - Makeup History with Lisa Eldridge
Inside the Wild Makeup Trends of Georgian High Society - Makeup History with Lisa Eldridge
Chats, LOL’s and Effortless Makeup with Alexa Chung
New Kits, New Products, New Shades
The Blush Trend Trap - How to Find What Flatters YOU
Trying The Very First Lipstick I Ever Owned! Can You Guess The Shade? What Was Yours?
Lipstick Textures - How to Find Your Best Finish
New Launch! - New Colour Story for Eyes and Lips
Brush Size (and Shape!) Matters
My Glow Sandwich 🥪💫 Glowy not greasy, ‘lit from within‘ skin in minutes
My Ultimate Guide to Bridal Makeup
Quick and Easy Eye Lift 💫
Quick Tip: Sculpt and Enhance Your Socket Line Like a Pro!
My portfolio
Kate Winslet - Port Magazine
Kate Winslet - Port Magazine
Kate Winslet - Port Magazine
Kate Winslet - Port Magazine
Keira Knightley - The Woman in Cabin 10 Premiere
Osman Yousefzada Autumn/Winter 2009/10
"Set against Osman Yousefzada's minimal, ultra-modern collection, a heavy head of make-up could have taken the look in a very 'power dressing' direction, but in the hands of make-up artist Lisa Eldridge, working for Clarins, Yousefzada's girls became 'beautiful, futuristic and ethereal, rather than aggressive." Thanks to the collection's oversized aviators, there was "a focus on the cheeks," according to Eldridge, who swept a blend of different blushers upwards and outwards for real Oriental feel. And while acid yellow was daubed on the inside corners of the eyes for a pop of sci-fi colour, Eldridge avoided the robotic look by shunning shine and metallic highlights for a full, matte base.
