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My latest videos
Lifted Liner for Hooded, Uneven or Asymmetric Eyelids
The Beauty of Vulnerability - Getting Ready & Getting Real with Posy Sterling
Alexa Chung and the Viral Palette You’ve Been Waiting For
New Shades of Liquid Silks and Pinpoint, as requested by YOU!
Olive Undertones… what are they and do YOU have them?!
Favourite Things (New and Old) For 2025!
The Most Underrated Movie Makeup Look - 'The Holiday'
Ultimate Lip Liner 101 - Everything You Need To Know
The Look You All Begged Me To Recreate!
When Lipstick Became Power - The Scandalous 1920’s Makeup Revolution
The Dark Truth Behind the ‘Natural Beauty’ Lie of the Victorian Era - Makeup History with Lisa Eldridge
Inside the Wild Makeup Trends of Georgian High Society - Makeup History with Lisa Eldridge
Chats, LOL’s and Effortless Makeup with Alexa Chung
New Kits, New Products, New Shades
The Blush Trend Trap - How to Find What Flatters YOU
My portfolio
BAFTAs - Posy Sterling
BAFTAs - Posy Sterling
Vogue Korea - Alex Consani - Sean and Seng
Vogue Korea - Alex Consani - Sean and Seng
Vogue Korea - Alex Consani - Sean and Seng
Osman Yousefzada Autumn/Winter 2009/10
"Set against Osman Yousefzada's minimal, ultra-modern collection, a heavy head of make-up could have taken the look in a very 'power dressing' direction, but in the hands of make-up artist Lisa Eldridge, working for Clarins, Yousefzada's girls became 'beautiful, futuristic and ethereal, rather than aggressive." Thanks to the collection's oversized aviators, there was "a focus on the cheeks," according to Eldridge, who swept a blend of different blushers upwards and outwards for real Oriental feel. And while acid yellow was daubed on the inside corners of the eyes for a pop of sci-fi colour, Eldridge avoided the robotic look by shunning shine and metallic highlights for a full, matte base.
